Kubrick

A look at the cinematic experience of Stanley Kubrick. His work is a tour-de-force of symbolism, narrative exposition and cinematography. His attention to detail may only be matched by Wes Anderson and his editing is without a doubt meticulous.

Much can be learned here, both in terms of your own production work but also in terms of Postmodern Media. Enjoy!

Semiotics (Homework)

Just a reminder for AS students to work through the pages of this resource on Semiotics:

• Semiotics: "The Science of Signs"

Make notes as you go and come to tomorrow's lessons with any questions that you might have.

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If you want to push yourself, you could also begin reading through this resource:

• 'Semiotics for Beginners' by David Chandler

It is a degree level text covering the basics of semiotics and beyond, including 'Encoding/Decoding' and 'Intertextuality'.

See you tomorrow...

Mr. M.

AS: The Use of Colour in Film

Here is an email I received from Andrew, an ex-student, now studying film at University, that I felt was worth sharing with you all:

Hey Sir,

Whilst doing some research for Uni I came across this great blog post that explains/shows the use of colour in Film. To save you from reading the whole thing it basically tells you about how Ridley Scott reversed the conventions of colour use in his movie Black Hawk Down and the effects it has in the audience. The thing I found most interesting was the colour chart towards the bottom of the post. Comparing the relationship between what each colour represents and where they are predominate in the narrative is very interesting. In my opinion the colours match very closely to Todorov's narrative theory. 

http://www.outside-hollywood.com/2009/03/color-theory-for-cinematographers/

Just though you might find it interesting as well as your A-level classes!

Regards,

Andy

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It's great to hear from students who enjoyed studying Media and have carried on doing so at University. One day this could be you! In the mean time, go check out the website - it should be very helpful as you plan your thriller openings.